Chum: A Shark Movie with a Twist of AI
The world of shark movies is a treacherous one, filled with the remnants of B-movie glory and the occasional gem that rises above the rest. But when a film like Chum enters the fray, it's clear that we're in for a wild ride. This movie, set against the backdrop of a Mediterranean yacht excursion, promises a thrilling battle for survival against both a shark and a psychopathic killer. However, as the review suggests, Chum falls short of delivering the fun and originality it could have offered.
The story centers around a group of friends and a newlywed couple who, despite their apparent hatred for each other, embark on a sun-drenched escape. But their idyllic vacation quickly turns into a nightmare as they find themselves caught between a menacing shark and a man with a twisted agenda. The man, driven by revenge, uses the captives as bait to hunt down the massive shark that took his wife's life. This premise, while not entirely original, hints at a potential thriller, but Chum fails to live up to its promise.
One of the most noticeable aspects of Chum is the acting, or rather, the lack thereof. Alice Eve, the only recognizable face in the cast, stands out for her efforts, but the rest of the ensemble seems to be phoning it in. The dialogue, stale and awkward, only adds to the overall frustration. The character dynamics are infuriating, making the audience root for the shark over the insufferable characters. It's a recipe for disaster, and unfortunately, Chum delivers on that front.
The use of real shark footage in Chum is a mixed bag. While it adds a layer of authenticity, the filmmakers struggle to maintain consistency in the type of shark being shown. This inconsistency is then compounded by some of the most insane visual effects I've ever witnessed. The AI integration, particularly in the post-production stages, makes every shark attack look awful. The victims' floaty movements and seemingly voluntary limb placement in the shark's mouth are jarring, especially when compared to the real footage. It's a strange choice that pulls the audience out of the experience.
The editing choices in Chum are equally bizarre. Normal moments are suddenly stretched out in slow motion, and the film stretches for time, showing us things we didn't need to see. The music, which goes insane whenever someone enters the water, coupled with the shark cutaways, creates a sense of unintentional humor. The third act, in particular, is filled with these moments, making it hard not to chuckle at the absurdity.
In conclusion, Chum is a shark movie that fails to live up to its potential. It's a step up from the Shark Attack franchise, but it's still a rough ride. The AI integration and visual effects, while impressive, are used in a way that detracts from the overall experience. The film is best enjoyed as a silly, mindless thriller, but for those seeking a more competent and engaging adventure, Chum is not the answer. Perhaps it's best to leave the shark movies to the experts and stick to the classics.
